Photos of the exhibition

Photo: Lucija Rosc

From left to right: Mangelos (Dimitrije Bašičević), Tabula rasa, 1951–1956, Josip Vaništa, Gorgona 1961, 1977, Đuro Seder, Drawing, 1960–1962, Ivan Kožarić, Rain, 1975, Julije Knifer, Friedrich Hölderlin: Der Rhein, 1984 [on the shelf], Zlatko Hajdler, Karyokinesis, 1965.
From left to right: Mangelos (Dimitrije Bašičević), Tabula rasa, 1951–1956, Josip Vaništa, Gorgona 1961, 1977, Đuro Seder, Drawing, 1960–1962, Ivan Kožarić, Rain, 1975, Julije Knifer, Friedrich Hölderlin: Der Rhein, 1984 [on the shelf], Zlatko Hajdler, Karyokinesis, 1965.
Marijan Molnar, For the Democratisation of Art, 1980–1981.
Marijan Molnar, For the Democratisation of Art, 1980–1981.
Central wall. From left to right: Goran Trbuljak, The Fact That Somebody Is Given the Opportunity to Stage an Exhibition Is More Important Than What Is Shown at That Exhibition, 1973 and Anonymous Conceptual Artist, 1972, Tomislav Gotovac, Breathing the Air, 1962.
Central wall. From left to right: Goran Trbuljak, The Fact That Somebody Is Given the Opportunity to Stage an Exhibition Is More Important Than What Is Shown at That Exhibition, 1973 and Anonymous Conceptual Artist, 1972, Tomislav Gotovac, Breathing the Air, 1962.
From left to right: Mangelos (Dimitrije Bašičević), Tabula rasa, 1951–1956, Josip Vaništa, Gorgona 1961, 1977, Đuro Seder, Drawing, 1960–1962, Ivan Kožarić, Rain, 1975, Julije Knifer, Friedrich Hölderlin: Der Rhein, 1984 [on the shelf], Zlatko Hajdler, Karyokinesis, 1965.
From left to right: Mangelos (Dimitrije Bašičević), Tabula rasa, 1951–1956, Josip Vaništa, Gorgona 1961, 1977, Đuro Seder, Drawing, 1960–1962, Ivan Kožarić, Rain, 1975, Julije Knifer, Friedrich Hölderlin: Der Rhein, 1984 [on the shelf], Zlatko Hajdler, Karyokinesis, 1965.
From left to right: Boris Cvjetanović, Miners Strike in the Labin Mine, 1987, Sven Stilinović, Flags from 1985, Tomislav Gotovac, Sickle, Hammer, Red Star, 1986, Rajko Radovanović, New Altars of the Temple of Happiness, 1988.
From left to right: Boris Cvjetanović, Miners' Strike in the Labin Mine, 1987, Sven Stilinović, Flags from 1985, Tomislav Gotovac, Sickle, Hammer, Red Star, 1986, Rajko Radovanović, New Altars of the Temple of Happiness, 1988.
Exhibition view
Exhibition view
Left Wall: Bálint Szombathy, Bauhaus, 1972. Right wall: Mangelos, Paysage, 1951–1956, Action Red Peristyle, Split, 1968, Ivan Kožarić, Unusual Projects: Sljeme Cutting, 1962, Tomislav Gotovac, Streaking, 1971.
Left Wall: Bálint Szombathy, Bauhaus, 1972. Right wall: Mangelos, Paysage, 1951–1956, Action Red Peristyle, Split, 1968, Ivan Kožarić, Unusual Projects: Sljeme Cutting, 1962, Tomislav Gotovac, Streaking, 1971.
From left to right: Raša Todosijević, Was ist Kunst, Marinela Koželj?, 1978, Bogdanka Poznanović, Ars aquatilis, 1971 and Action Heart-Object, 1970, David Nez, Invisible Sculpture, 1969, Mladen Stilinović, From the Series Exploitation of the Death, 1984–1987.
From left to right: Raša Todosijević, Was ist Kunst, Marinela Koželj?, 1978, Bogdanka Poznanović, Ars aquatilis, 1971 and Action Heart-Object, 1970, David Nez, Invisible Sculpture, 1969, Mladen Stilinović, From the Series Exploitation of the Death, 1984–1987.
From left to right: Braco Dimitrijević, This Could Be a Place of Historical Interest, 1975, Slaven Tolj and Marija Grazio Tolj, Uzlazak, 1989, Raša Todosijević, Was ist Kunst, Marinela Koželj?, 1978.
From left to right: Braco Dimitrijević, This Could Be a Place of Historical Interest, 1975, Slaven Tolj and Marija Grazio Tolj, Uzlazak, 1989, Raša Todosijević, Was ist Kunst, Marinela Koželj?, 1978.
Left: Bogdanka Poznanović, Ars aquatilis, 1971 and Action Heart-Object, 1970, centre: Vlado Martek, The Group of Six Artists 1975–1978, 1990.
Left: Bogdanka Poznanović, Ars aquatilis, 1971 and Action Heart-Object, 1970, centre: Vlado Martek, The Group of Six Artists 1975–1978, 1990.
Exhibition view
Exhibition view
From left to right: Vlado Martek, The Group of Six Artists 1975–1978, 1990, OHO, Location of the Recent OHO Projects, 1970, Mirko Radojičić,Apotheosis to Jackson Pollock, 1970 and 2 x 2 Lawn, 1970, David Nez, Invisible Sculpture, 1969.
From left to right: Vlado Martek, The Group of Six Artists 1975–1978, 1990, OHO, Location of the Recent OHO Projects, 1970, Mirko Radojičić,Apotheosis to Jackson Pollock, 1970 and 2 x 2 Lawn, 1970, David Nez, Invisible Sculpture, 1969.
Exhibition view
Exhibition view
From left to right: Mladen Stilinović, From the Series Exploitation of the Death, 1984–1987, Branko Balić, Gorgona Staring at the Sky, Gorgona Staring at the Ground, 1961, Sanja Iveković, Double Life 1959–1975, 1976 and The Tragedy of a Venus 1975, 1976.
From left to right: Mladen Stilinović, From the Series Exploitation of the Death, 1984–1987, Branko Balić, Gorgona Staring at the Sky, Gorgona Staring at the Ground, 1961, Sanja Iveković, Double Life 1959–1975, 1976 and The Tragedy of a Venus 1975, 1976.
Left wall, from left to right: Bogdanka Poznanović, Pulseimpulse, 1978, Bogdanka Poznanović, Signal Fire, 1974, Vlasta Delimar, Personality Transformation, 1979
Left wall, from left to right: Bogdanka Poznanović, Pulseimpulse, 1978, Bogdanka Poznanović, Signal Fire, 1974, Vlasta Delimar, Personality Transformation, 1979
From left to right: Laibach Kunst, Metal Worker, 1980 Mladen Stilinović, 88 Roses for Comrade Tito, 1990–1994, Slaven Tolj, Interrupted Game, 1993, Vlado Martek, Sickle, Hammer and Pencil, 1982, Željko Jerman, This Is Not My World, 1976.
From left to right: Laibach Kunst, Metal Worker, 1980 Mladen Stilinović, 88 Roses for Comrade Tito, 1990–1994, Slaven Tolj, Interrupted Game, 1993, Vlado Martek, Sickle, Hammer and Pencil, 1982, Željko Jerman, This Is Not My World, 1976.
From left to right: Laibach Kunst, Metal Worker, 1980 Mladen Stilinović, 88 Roses for Comrade Tito, 1990–1994, Slaven Tolj, Interrupted Game, 1993, Vlado Martek, Sickle, Hammer and Pencil, 1982, Željko Jerman, This Is Not My World, 1976.
From left to right: Laibach Kunst, Metal Worker, 1980 Mladen Stilinović, 88 Roses for Comrade Tito, 1990–1994, Slaven Tolj, Interrupted Game, 1993, Vlado Martek, Sickle, Hammer and Pencil, 1982, Željko Jerman, This Is Not My World, 1976.
Exhibition view
Exhibition view
Exhibition view
Exhibition view
From left to right: Vlado Martek, Sickle, Hammer and Pencil, 1982, Željko Jerman, This Is Not My World, 1976, Mladen Stilinović, Double Offence, 1980, Josip Stošić, Lessons in Politics, 1970, Marijan Molnar, For the Democratisation of Art, 1980–1981, Željko Jerman, I Leave Trace (Drop by Drop), 1976, Slavko Matković, Conceptual Art, 1978.
From left to right: Vlado Martek, Sickle, Hammer and Pencil, 1982, Željko Jerman, This Is Not My World, 1976, Mladen Stilinović, Double Offence, 1980, Josip Stošić, Lessons in Politics, 1970, Marijan Molnar, For the Democratisation of Art, 1980–1981, Željko Jerman, I Leave Trace (Drop by Drop), 1976, Slavko Matković, Conceptual Art, 1978.
Vlado Martek, Menti lo stato, 1984.
Vlado Martek, Menti lo stato, 1984.
Left: Goran Trbuljak, With This Exhibition I Maintain Continuity in My Work, 1979, right: Marina Abramović, Connect Stars and Planets by Pencil, 1969, on the shelf: Marko Pogačnik, Project OHO, 1970, Milenko Matanović, Intercontinental Group Project America - Europe, 1970
Left: Goran Trbuljak, With This Exhibition I Maintain Continuity in My Work, 1979, right: Marina Abramović, Connect Stars and Planets by Pencil, 1969, on the shelf: Marko Pogačnik, Project OHO, 1970, Milenko Matanović, Intercontinental Group Project America - Europe, 1970
In the exhibition space: Vlado Martek, An Equal Force Could Squeeze Us Out, 1975. From left to right: Mladen Stilinović, From the Series Exploitation of the Death, 1984–1987, Branko Balić, Gorgona Staring at the Sky, Gorgona Staring at the Ground, 1961, Sanja Iveković, Double Life 1959–1975, 1976 and The Tragedy of a Venus 1975, 1976, Miško Šuvaković, TAT TVAM ASI – This Is You, 1984, Vlado Martek, Pride, 1976, Bogdanka Poznanović, Pulseimpulse, 1978 and Signal Fire, 1974.
In the exhibition space: Vlado Martek, An Equal Force Could Squeeze Us Out, 1975. From left to right: Mladen Stilinović, From the Series Exploitation of the Death, 1984–1987, Branko Balić, Gorgona Staring at the Sky, Gorgona Staring at the Ground, 1961, Sanja Iveković, Double Life 1959–1975, 1976 and The Tragedy of a Venus 1975, 1976, Miško Šuvaković, TAT TVAM ASI – This Is You, 1984, Vlado Martek, Pride, 1976, Bogdanka Poznanović, Pulseimpulse, 1978 and Signal Fire, 1974.
Katalin Ladik, Ballad of the Silver Bicycle, 1969 and Phonopoetica. Phonic Interpretation of Visual Poetry, 1964.
Katalin Ladik, Ballad of the Silver Bicycle, 1969 and Phonopoetica. Phonic Interpretation of Visual Poetry, 1964.
From left to right: Nejč Slapar, France Pibernik, Poem, 1976, Dubravka Đurić, Poetic Performance (1, 2, 3), 1983, Josip Stošić, On the Left Side of A: The Initial from the Infinite Graphic, 1969.
From left to right: Nejč Slapar, France Pibernik, Poem, 1976, Dubravka Đurić, Poetic Performance (1, 2, 3), 1983, Josip Stošić, On the Left Side of A: The Initial from the Infinite Graphic, 1969.
Vlado Martek, I Am Not a Poet, Although I Could Be If I Wanted To, 1982 and Poetic Agitations , 1970–1982
Vlado Martek, I Am Not a Poet, Although I Could Be If I Wanted To, 1982 and Poetic Agitations , 1970–1982
Judita Šalgo, Text Written on a Scroll, 1980.
Judita Šalgo, Text Written on a Scroll, 1980.
Vladan Radovanović, Wasteland, 1966.
Vladan Radovanović, Wasteland, 1966.
Matjaž Hanžek, OHO Edition, 1968, Marko Pogačnik, I. G. Plamen, OHO Edition, 1968.
Matjaž Hanžek, OHO Edition, 1968, Marko Pogačnik, I. G. Plamen, OHO Edition, 1968.
Josip Stošić: Đerdan, 1951, Acta navigationis rei publicae Ragusae, 1962, I Sing Dubrovnik, 1962, Drafts for Five of My Poems and One of Yours, 1976, Bone and Stone. The Primordial Game, 1962 and New Doll, 1968.
Josip Stošić: Đerdan, 1951, Acta navigationis rei publicae Ragusae, 1962, I Sing Dubrovnik, 1962, Drafts for Five of My Poems and One of Yours, 1976, Bone and Stone. The Primordial Game, 1962 and New Doll, 1968.